Many viewers know this disappointment. The follow-up season of your top TV show has just begun streaming, and optimism runs high. The initial run ended so perfectly: upcoming stories were hinted at provocatively, and a key figure faced a shocking fate – or did they?. In the months since the finale, you were perusing Reddit threads with dedicated fans to find some Easter egg clues pointing toward upcoming twists.
Unfortunately, the return episode disappoints. It seems as if the creative team was swapped for algorithms. Cut to the second episode, a beloved actor's character acts in a way that you and Reddit user Fishy2345 agree is totally out of character. Halfway through the season, the writers appear to have memory loss regarding plot points heavily emphasized earlier. By the lackluster conclusion, you silently wish that the show had just been cancelled.
Wanting a series to end early is often late realization; most fans protest when their favorite shows are canned before they can get off the ground. Look at Kaos, a clever mythological satire featuring Jeff Goldblum, which Netflix dropped over poor ratings. But perhaps these fans will rest better with the knowledge the show's quality wasn't tarnished by a weak follow-up.
Looking back at the horror-mystery show Yellowjackets, I now wish it had been a limited series. The first season boasted an inventive concept, and every episode hit the right marks. In 1996, a plane carrying an all-girl high school football team crashes in the middle of nowhere. Skilled performers (including Juliette Lewis, Lauren Ambrose and Sophie Thatcher) depicted the survivors in dual eras. There were multiple award nominations, and the showrunners proudly announced there would be five seasons to develop the plot thoroughly. However, a season four finale was just confirmed. And as a fan, I let out a sigh of relief.
The Stranger Things cast returns for season five.
Plot twists have diluted the essence. Rather than leading with the girls’ return home, and watching how they deal with their horrific new secrets, the narrative expanded unnecessarily. A fatiguing tendency emerged of highlighting added personalities (like the underdeveloped daughter Callie) who added little to the overarching plot. It's aggravating, and watching a beloved program become tedious is sad.
Yet this issue extends beyond Yellowjackets. Programs including Emily in Paris, House of the Dragon, Squid Game and Stranger Things lack original impact, and settled into familiar patterns. Occasionally, series should end on a high note.
Actually, benefits come from self-contained series. Looking at Sharp Objects, I May Destroy You, and Adolescence, producers recognize appropriate conclusion points. However, the magic fades with series like Big Little Lies, first conceived as self-contained, return repeatedly with declining quality. Perhaps Adolescence's team reconsidered a second season.
I preferred Yellowjackets as a limited run, residing permanently in our thoughts, cliffhangers and all. The best program I've seen succeeded this way. The classic teen series, the perfect 90s teen dramedy, concluded after a single run but achieved film-like breadth: the personalities were complex and inconsistent, the filming captured a fall aesthetic, and the scripts transcended typical youth dialogue. Its final episode was bitterly unresolved, yet this mirrors real life accurately of never having real, definitive answers to the open-ended questions from your teenage years. After 18 great episodes (and one mediocre), I mourned its end and drafted follow-up stories to answer some of those questions. Though stored on outdated technology, but it speaks to how deeply TV shows can chime with us.
If TV creators can remember the sacrosanct relationship between viewers and shows, more shows can end gracefully.